Oct. 8, 2020
By JANICE ARNOLD
MONTREAL— The biennial Azrieli Music Prizes (AMP) concert – the world premiere of the most recent winning compositions of orchestral Jewish music and Canadian art music – goes virtual this year due to the pandemic.
The concert is scheduled to be live streamed from the Salle Bourgie of the Montreal Museum of Fine Arts on Oct. 22 at 8 p.m.; on the classical music channel Medici TV, and on the AMP Facebook page, free of charge.
Le Nouvel Ensemble Moderne (NEM), which is resident in the U of M’s music faculty, will be making its debut on Medici TV under the direction of its founder, Lorraine Vaillancourt. Soprano Sharon Azrieli, who created and heads the AMP project, and Hungarian-Canadian mezzo Krisztina Szabò join NEM as soloists.
The performances are part of the total prize package each AMP laureates receives, valued at over $200,000, including $50,000 cash. Two later international performances and a recording of the winning works, to be released on the Analekta label, round out the package.
Keiko Devaux, the inaugural winner of the new Azrieli Commission for Canadian Music, is cited for her work, Arras, which “weaves together the tapestries of her French and Japanese-Canadian heritage.” She is currently completing a PhD in composition at the U of M.
“These collective sonic memories that we have held onto, shared, diffused and celebrated together are what define the Canadian sound to me,” she said.
Yotam Haber’s Azrieli Commission for Jewish Music winner is Estro poetica—armonico III, written for mezzo-soprano solo, chamber orchestra and pre-recorded audio, reflects his interest in the music of the Jewish community of Rome.
“As a composer of Israeli background, I have spent years thinking about how I should look back at my past while looking forward at my future,” he said. “I wished to compose a work using text by modern Israeli poets sung by a mezzo-soprano in conjunction, or in opposition to, traditional cantillation and liturgical texts found in the Leo Levi recordings, virtually always recited by men,” he explained.
Haber is an associate professor at the University of Missouri-Kansas City Conservatory.
Yitzhak Yedid, winner of the Azrieli Prize for Jewish Music, wrote KadoshKadosh and Cursed, which consist of 20 tableaux, or musical scenes, that bridge very different musical traditions.
“My attempt in this composition, and my endeavour for over a decade, has been to broaden the esthetic resources of Western art music through the incorporation of musical elements of Sephardic Jewish music,” explained Yedid, whose ancestry is Syrian and Iraqi. The result is “a strange, surreal atmosphere.”
He is currently a lecturer in composition and piano at the Queensland Conservatorium of Griffith University in Brisbane, Australia.
In addition, Canadian composer Jonathan Monro has created a new arrangement for NEM and soloist Azrieli of Pierre Mercure’s classic song cycle Dissidence, which expresses modern humanity’s search for happiness through faith, which is also on the program.
Established in 2014 by the Azrieli Foundation, the biennial AMP accepts nominations for original works from individuals and institutions of all nationalities, faiths, backgrounds, and affiliations, which are then submitted to its two expert juries.
“The three AMP prize packages, valued at $200,000 per laureate, currently makes it the largest music competition for music composition in Canada and one of the largest in the world,” said Azrieli.