On the Record: Canadian Jewish Musicians of Note

Dec. 18, 2020

Dave Cohen (Aug. 8, 1985 – ): Country Music Keyboard Player, Songwriter, Producer

By DAVID EISENSTADT

“Nashville cats, play clean as country water
Nashville cats, play wild as mountain dew
Nashville cats, been playin’ since they’s babies
Nashville cats, get work before they’re two…”

Defined by that Zal Yanovsky/Lovin’ Spoonful lyric, country music keyboard player and producer Dave Cohen is a “Nashville cat.” And he’s Canadian.

At 35, Cohen is one of the most in-demand musicians in Nashville, playing on many Top 40 Country hits with artists like Big & Rich, Chris Young, Ed Sheeran, Florida Georgia Line, Joe Nicols, Josh Turner, Kip Moore, Old Dominion, Rascal Flatts, Reba, Steven Tyler (see photo above, Cohen left, Tyler right), Toby Keith, and Wynona Judd, among others.

He was born in Toronto to Robert and Shelley Cohen, and the family moved to Calgary in 1989.  His father played the guitar, and Cohen started playing piano at five. As a teenager, he joined the PT Junction Blues Authority, a group that included my cousin Sandy Shuler’s son, Josh Goldenberg, as guitarist and lead singer. She told me about Cohen and how they won the battle of the bands at his high school, Henry Wise Wood.

Kid Rock and Dave Cohen

Rachel Barsky noted in The Canadian Jewish News that Cohen didn’t plan to become a musician. “It was in Grade 12 when he was accepted to Humber College’s jazz program in Toronto that he started thinking about becoming a professional musician.” 

Cohen told me, “I wasn’t that passionate about jazz itself as an art form. More so as a tool to learn music and become a better player. A soon as I had an opportunity to go on the road as a sideman, I dropped out.” 

He continued to work as a freelance musician in various groups in Toronto. “That’s how Cohen got his first major gig, as the keyboard player for Amanda Marshall, which led to playing with her at the 16th International AIDS Conference in Toronto in front of 55,000 people,” Barsky reported. That was in 2006, and led to working with Scottish-Canadian country music artist Johnny Reid.

After touring with a few Canadian acts, “I realized there was a ceiling as to how high my career would go if I didn’t move to a larger market,” he told me. So Cohen headed to Nashville in 2007.

Tired of the rigours of the road in 2012, he settled into a studio musician’s life. Speaking with Hanna Jessica of Building Our Own Nashville blog, he said, “Every artist does things differently, but broadly. We get set up and ready to go at 10 a.m. We listen to the songs we’re going to play that day and make charts so we can all be on the same page. Then (we) make music until 9 p.m. some days. Everything I play in a session is improvised. We often have a demo recording of how the songwriter intended the song to be played, but we’re not locked to that. We’re free to give ideas.”

In 2017, he received the Academy of Country Music (ACM) Piano/Keyboards Player of the Year Award. “My first thought was that my career was peaking too early and that I was destined to fade out early,” he told thecountrynote.com. “Those thoughts quickly turned to how I could live up to that title. It’s obviously a huge honour to win an award like that. A lot of the records I have worked on are consecutive and it’s a very cool experience to have your own rapport with the artist you’re working for. Many times in the studio, you just show up and do your job and don’t really feel connected to the project. With consecutive records, it’s cool to have a relationship to build on and use as inspiration for the tunes.”

His Jewish connection to music came from his family and growing up in Calgary.

“My years at Camp B’nai Brith Riback in Pine Lake, Alberta were where I got together and sang songs with my camper peers,” he recalled. “During high school, my bandmates were Jewish and all members of BBYO, playing at dances and band battles. I owe a lot to the Calgary Jewish community for laying the groundwork for me both musically and socially to be able to thrive in this career.”

Of late, Cohen has been doing more producing in addition to songwriting and session work. Musicrow.com reported that he recently signed a worldwide publishing deal with Spirit Music Nashville as “co-producer of eight No. 1 songs and session musician on over 50 No. 1 songs. He joins a roster including songwriter Jonathan Singleton, Grammy-winning songwriter David Garcia, a MusicRow Song of the Year winner and Grammy-nominated writer Jeremy Bussey, and ACM Guitar Player of the Year Derek Wells as well as Bobby Hamrick, Brinley Addington, Frank Ray and Neil Thrasher.” 

Not bad for a Nashville cat from Calgary.


David Eisenstadt
David Eisenstadt

David Eisenstadt is founding Partner of tcgpr.com the Canadian Partner firm of IPREX Global Comunication. He is a graduate of Carleton University’s School of Journalism and the University of Calgary.

On the Record: Canadian Jewish Musicians of Note

Zal Yanovsky (Dec. 19, 1944 – Dec. 13, 2002): Guitarist, Co-Founder, Lovin’ Spoonful, Chef, Restaurateur, Cookbook Author

Aug. 14, 2020 – By DAVID EISENSTADT

Just ahead of the COVID onslaught, three of the four remaining members of the Lovin’ Spoonful reunited on a Glendale, California stage for the first time in two decades. The original quartet last appeared together at their induction into the Rock & Roll Hall of Fame in 2000.

Missing on stage that evening was their Canadian Jewish co-founder, Zalman (Zal) Yanovsky, who’d died 18 years earlier.

Zalman (Zal) Yanovsky

During my university years, this 1960s band got lots of airplay and regularly topped the charts with memorable tunes like Daydream, Do You Believe In Magic?, Nashville Cats, Rain On The Roof, Summer In The City and You Didn’t Have To Be So Nice. 

A rock music icon and fashion trendsetter, Yanovsky was the group’s conspicuous showman who wore cowboy hats and fringed jackets, a style emulated by Sonny Bono, David Crosby and Johnny Rivers.

The Toronto-born son of political cartoonist Avrom Yanovsky (his mother died while he was still a child), Zal was a self-taught guitarist and folk singer. He was taught to play the banjo at Camp Naivelt by Jerry Gray, who founded the Travellers.

A high school dropout who played the Toronto coffee house scene starting at age 16, Yanovsky moved to Israel, where he worked on a kibbutz and later as a Tel Aviv street busker.

He returned to Toronto and hooked up with Denny Doherty who invited him to join his folk-blues combo, the Halifax Three. Doherty, later a member of the Mamas and the Papas, invited Yanovsky to play with that group and the future “Mama” Cass Elliot in the Mugwumps, as reported in Rolling Stone.

Yanovsky moved to Greenwich Village and teamed with another talented guitarist, John Sebastian, who told Rolling Stone, “He could play like Elmore James, he could play like Floyd Cramer, he could play like Chuck Berry. He could play like all these people, yet he still had his overpowering personality. Out of this we could, I thought, craft something with real flexibility.”

Then came bassist Steve Boone and drummer Joe Butler, and the Lovin’ Spoonful, with Sebastian as lead singer, was launched.

So how did they choose their name? According to rocknrollmusichistory.com, it came from a line in a Mississippi John Hurt song, Coffee Blues, in which Hurt paid tribute to Maxwell House coffee, “which is so good, he only needs one spoonful, which he refers to as ‘my lovin’ spoonful.’”

The group’s first single was Do You Believe In Magic, a Top 10 hit in 1965. As a string of catchy tunes followed, the Spoonful challenged the Beatles and other British Invasion groups’ chart dominance.

But trouble was brewing in the band when, in 1966, Boone and Yanovsky were booked on pot charges in San Francisco, but escaped prosecution by turning in their dealer. In mid-1967, Yanovsky was deported back to Canada but was ostracized and quit the foursome.

He played guitar with Kris Kristofferson and in 1969, co-produced an album, Happy Sad, with his Lovin’ Spoonful replacement Jerry Yester. He recorded a solo album, Alive And Well In Argentina in 1971.

Fed up with music business politics in the early ‘70s, he took a shot a TV production, but ultimately found new career success as a chef and restaurateur. In 1979 he renovated a late 19th century livery stable, named it Chez Piggy, and opened a second restaurant, Pan Chancho Bakery, in 1994. Both would be hotspots in Kingston, Ont. Yanovsky’s business partner was his second wife, Rose Richardson. He also wrote the Chez Piggy Cookbook in 1998 which became a favourite for music and culinary fans.

Just six days before his 58th birthday, Yanovsky died of a heart attack. His daughter, Zoe, whose mother is actress Jackie Burroughs, has owned and operated both restaurants since 2005.

In memoriam, John Sebastian told Rolling Stone that “Spoonful reunions without Zal Yanovsky are more like get-togethers. (Whenever we do them), it will be a blast, but a reunion would be a misnomer.”


David Eisenstadt
David Eisenstadt

David Eisenstadt is Founding Partner of tcgpr and a graduate of Carleton University’s School of Journalism and the University of Calgary.