KlezKanada Goes Online for 25th Anniversary Edition

Aug. 11, 2020 – By RUTH SCHWEITZER

KlezKanada is taking its annual summer festival of Yiddish music and culture – its 25th anniversary edition – online this year.

KlezKanada festival 2019. Photo Avia Moore

More than 60 virtual workshops and classes, and several concerts are scheduled for the five-day KlezKanada festival, scheduled for Aug. 24-28.

The organization’s executive director, Sebastian Schulman, said cancelling this year’s festival due to restrictions imposed by the COVID pandemic was out of the question, adding that the culture of eastern European Jewish life teaches about how to persist in difficult times. 

Asya Vaisman Schulman and KlezKanada executive director Sebastian Schulman. Photo Avia Moore

“There’s so many examples of Jews, and Ashkenazi Jews specifically, being able to create in the most dire of circumstances,” he said. 

“Our minds might go most immediately to the war and to the Holocaust. I think there’s (also) a really rich history for centuries of being able to look in the face of fear or catastrophe and to sing, to laugh, to dance.

“And that is a very Jewish way of facing a crisis. The world is in the middle of a crisis right now and our community says, ‘well, let’s put on a festival. Let’s celebrate life as best as we can.’”

Naoki Hishinuma, left, Adam Matlock and Aaron Blacksberg. Photo Avia Moore

While a virtual festival can’t replace KlezKanada’s camp, which has been held at Camp B’nai Brith in Lantier, Que., in the Laurentian mountains for 24 years, the online festival has its advantages.

KlezKanada festival 2019. Photo Avia Moore

For one thing, KlezKanada is expecting registration to be higher than usual this year, with hundreds of attendees from around the world, including many people who have been unable to attend past festivals, Schulman said.

Some workshops, like Transcription Corner, where students will learn how to create sheet music from recordings, will be even more effective online, he said.

Having sheet music helps learning how to play klezmer and Yiddish music, as their sources are old recordings. The instructors will go through the different technologies for transcribing music.

“You could do it in person, but it would be a very dry class in person. If you do it online, you can really get into the nitty-gritty of the technology,” Schulman said.

The festival offers klezmer music instruction ranging from “Klezmer 101” for new players, to a variety of workshops for intermediate and advanced students. The ambitious program also includes Yiddish language courses, lessons in visual arts and Jewish cooking, film screenings, dance classes and children’s activities.

Performers on KlezKanada’s virtual main stage will include the Grammy award-winning band The Klezmatics, and Josh “Socalled” Dolgin, a genre-defying artist who’s known for fusing Jewish music with hip hop. In concert, Socalled will be singing Yiddish songs backed by a string quartet.

Concert Highlights

“Where Have You Been?: 25 Years of KlezKanada in Lantier, Quebec,” based on research into KlezKanada’s camp location in Lantier, combines theatre and music. The piece was created in collaboration with indigenous historians, musician and writer Geoff Berner, and puppeteer Jenny Romaine.

Klezmer trombonist Rachel Lemisch and Jason Rosenblatt perform from their home in Montreal. She comes from a family of klezmorim that goes back generations, and he is one of the world’s leading performers of klezmer on diatonic harmonica.

East Meets West Revisited looks back to the 1980s, a time in contemporary Yiddish culture when artists from eastern Europe and the former Soviet Union reconnected with their counterparts in North America and western Europe. The concert features Michael Alpert (USA/Scotland), Efim Chorny and Suzanna Ghergus (Moldova), Sasha Lurje (Germany/Latvia), and the Strauss Warschauer Duo (USA).

Workshop and Class Highlights

Klezmer 101 Yoni Kaston and Ariane Morin teach the basic klezmer genres and explain modes and harmonies, and students will learn tunes in a play-along session.

Klezmexperimental Ensemble In this experimental music workshop, led by Dan Blacksberg and Frank London, for intermediate and advanced students, participants will explore creating pieces with no set tempo and try out different kinds of musical layerings, while they push the limits of what kind of music they can make live. 

Alternative Voice Techniques for Folk Singing Yiddish singer extraordinaire Sasha Lurje will help vocalists learn how to control their voices and use them as instruments. The class is open to both experienced singers and people searching for their voices.

The Beauty in Ugly Stuffed Vegetables – One thing that nearly every Jewish community – from Romania and Poland to Syria, Morocco and India – has in common is an affection for stuffed vegetables, the culinary technique that transforms a bit of meat or starch into a soulful and seductive centrepiece. Leah Koenig, the author of The Jewish Cookbook and Modern Jewish Cooking, explores the cultural particularities of this universal Jewish food. Recipes will be provided in advance of the class for anyone wanting to cook along.Dancing

Together Apart Avia Moore and Magdalena Hutter will lead participants in exploring Yiddish dance in relationship with the screens that are currently so central to our lives. They will explore concepts such as space, tempo, shape and gesture through Yiddish dance and ScreenDance. They will then send participants out into the world to record their own movement explorations, starting with a zhok (Yiddish dance) step.


For more information, visit http://klezkanada.org